3 tracks to keep things moving during the fall months: *cause* is a bass heavy gem. *effect* is adames interpretation of chicago jack tracks. *repercussion* is a dark almost sterile track leaning heavily on the techno side.

gutts are a jaded wrestling double act that were much celebrated in the golden era of uk wrestling in the 1980s. after a slow-decline into inactivity and relative obesity they decided to make a comeback in 2013 as an electronic music band called gutts. both neil landstrumm and alan hostage have recently reached peak-fitness through circuit training and eating salad for dinner, toning up for this new heavy-hitting vinyl release on glasgows horror boogie. both were last seen, exiting landstrumms analogue graveyard shouting *not the ears, not the ears* and *i demand to be treated like a sultan*. no further details were available at this time.

september will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew. to accompany the album release there are two very limited vinyl samplers. vol. 2 sees rising stars sling & samo (l.i.e.s. records) turn in a heavy spaced-out house jam rendition of *farewell to wendo*, portugals tiago (golf channel) go warm, deep & classy on *sleeper* while call supers amazing remix of *the key* also features (never released on vinyl before). dont sleep - no represses! vol. 1 features remixes from wolf & lamb, skatebard, kink & neville watson & young marco.

wbeezas first release on his own label, pfly music. two cuts. a side perfect high is a deep jam that kicks. b side i like it is a hard and heavy jacking groove with a delicious vocal sample. killer cuts

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

after a short summer break fauxpas musik is announcing its comeback with the album solus by nocow. the tracks of the st. petersburg based russian remind us a little of the old aphex twin and autechre records. the record comes in heavy 180 gram vinyl, + download card + handmade silkscreen print cover! the artwork has been made by igor rudyak, design and concept by alex ketzer. vinyl tastes better!

after releases on eskimo, is it balearic?, tusk and disques synthomme, jose drops the debut 12 inch on its a lectric world (a white label spin-off from lectric sands). a slo-mo house track with heavy percussion, afro samples and an epic acid bassline. 4 mixes (includes instrumental & bonus beats). stamped white label in paper sleeves.

anaxander make a welcome return to local talk following the mighty local talking ep released earlier this year which got support from heavy weights like rolando, ben sims, recloose, ben westbeech and many more. on this release he drops the bpms and let the machines do the talking. both candy stand and my aniseed lollipop are perfect examples of how to lay down an acid track sparse but bold percussion frameworks to contain that all important, tension laced 303 work - perfect for ballrooms and basements alike!

principal records follow up the superb debut from s & m with the m from that partnership (that man monkz) alongside the mysterious mr. vasir. as before it is the finest, roughed up soulful house which could just as easily have emerged from detroit as sheffield. mr moncrieff is going from strength to strength! fellow steel city heavy-hitter and exciting new talent squarehead handles the remix, turning in a rough and ready club workout that really hits home.
pressing on white coloured 10 inch vinyl.

decoy07 takes a deeper turn with the third act ep. miss sunshine (kms, monocline, tictactoe) has been working flawlessly in the studio for the past six years and this ep is no exception. third act is a heavy workout of riding bells and an old-school synth line which grooves its way through percussion builds and changes. intimidate is deeper and darker with a chugging groove and twisting effects growing into a more graceful melody. ground loop captures miss sunshines more ambivalent mood with a haunting groove that is perfect for those basement techno moments. markus suckut (figure, sckt)supplies the remix with his interpretation of ground loop, taking it more minimal and stripped back but maintaining the groove in his own familiar style.

reacquainted with his soul after the galactic battle with the gatekeeper of hades, edmx and his craft bulb into view from hyperdrive. emerging from an imperfect stasis, the pilot lay slumped over the controls of his ship. beneath the glaze of his vizor his eyes looked milky white, opaque cataracts had almost sealed them. the craft was being pulled slowly toward sigma orionis on invisible magnetic currents. flurries of dust danced around the pilots window like fireflies. in the far distance the horse head nebulae dwarfs the tiny craft with its mountainous cosmic majesty.

after a bit of a hiatus, roots unit return with some deep house hybrids from their bulging vaults. learn to love is a melodic dub-house / techno infused big sound system warmer that comes from a studio session with former 2 lone swordsman keith tenniswood and will be familiar to those who tune into tim sweeneys beats in space show on the regular. morning sequence is a lovely early morning hypnotic slinky electronic house jam that gets under your skin and into your mind. this latter track is mutated into a heavy floor filler by mark e in full on peak time mode.

bosq y orquesta de madera is the much anticipated full length debut album by bosq from whiskey barons. on the heels of his three well-received 12inch singles, the album delivers on the promise of a well-rounded and killer collection of afro, house, latin, soul and disco tracks with the intention of keeping bodies moving on the dancefloor.

new years deal - after the prominent line up of their first effort, undelivered records returns with just a renowned cast as on the first 12 inch. mind boggling techno in its purest form. 4 grooving techno anthem with heavy percussion and a well balanced sound to them.

operator is the heavy-weighted techno pseudonym of rich jones. his first ep under this name on his own label gnosis records is among the audio assault crews top played releases from last year. he further enhances his amazing analog sound on this full 4-tracker on audio assault.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #21 is brought to you by your future lovers, tomas malo, atnarko, andrew clarke and space coast. these folks have futurified some heavy love affairs ranging from disco to rnb. this machine has soul, baby!

file under disco return with another set of cracking remixes of jkriv & the disco machine, whose 6 track digital ep the high fidelity sound drops in late june. 100% original disco music is again the name of the game. for this edition, long-term stalwarts of the uk disco scene faze action step in to remix disco rocket in two very tasty flavours – main mix and dub mix. both are bang on the money and ready to rock the dance floor. meanwhile on the flip side, disco deviant dicky trisco is back at the controls following his heavy hitting remix of drop out orchestras the blue train at the end of last year. the results are again 100% guaranteed to raise the pressure to boiling point in any discotheque. file them all under disco and dance.

summer parties are now open for business and we ve smashed together a collection of sounds guaranteed to melt even the coldest ice cream. heavy basslines mixed with dubstep grooves topped up with a touch of pure old skool rave

theory is back with a super solid release and lil something for everyone! heavy machine funking jams from ben sims get the remix treatment from mighty marcelus plus a bonus dubbed out (vinyl only) club groove. enjoy! early support from: rolando, truncate, clouds, luke slater, dj deep, dvs1, ben klock, dave clarke, surgeon, marvel fengler, skream, sev dah, marel dettmann, kryptic minds, benjamin damage,gerd,j tijn, ben sims

the la based artist kauf has been honing his own dark twist on modern electronic music since 2011, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony avant-pop earning comparisons with the likes of caribou, matthew dear and toro y moi.
the as much again ep is kaufs most substantial release to date and (much like the artwork) paints a dark, but distinctive picture of the man himself, as a unique and undeniable talent.

two years have passed since his release at sandwell district and after his remix contribution to sawf’s sand ep, belgian producer, yves de mey, returns to modal analysis with a two-track ep. the first track allures the listener to an abstract heavy sound, whereas, the second track follows a more distinct rhythmic structure. both tracks create an atmospheric environment with the use of modular sounds. the ep wraps up with a shifted club remix of the first track.

limited white label - quantity restrictions may apply, handstamped sleeve and centres, the second release on the and white label series consists of 3 heavy industrial techno tracks.

having already released music on respected labels such as dolly, philpot, mathematics, mule electronic, versatile, ostgut ton, new kanada, creme organization, nonplus+, and still music, – basic soul unit delivers 3 tracks on the inaugural release of lab.our music, the label he has started with long time friend and dj partner jason ulrich. lab.our 01 sets the tone for the new label nicely with three slices of deep & raw techno. frack marries a frantic and bottom heavy beat to a delicate melody while innershell & earwerm are both raw, jacking dancefloor workouts

frenchman tanov hits the monique musique imprint with 2 techno stompers. dark vocals and a repetitive bassline take control of the a side whilst on the b side a heavy hitting snare leads the infectious groove into a long break with some great effects. essential release in the mm catalog.

includes limited edition hand painted sleeves.
following on from their inaugural release dsnt records are back with a second helping of unvarnished, pummeling tracks in-keeping with the labels clear focus of releasing only the highest quality techno.
dead sound (aka paul carroll) has made a name for himself after breakthrough releases with videohead on ali wells heavy duty perc trax imprint (murder ep, the chosen), as well as on australias elektrax recordings, (dsgl ep), and sub-label gynoid audio (your move, behind time), acroplane recordings and counter pulse (it s over). bolstering and reinforcing the power of the originals, this release comes fully equipped with some of the finest names in deep, dark and visceral techno on remix duties: stroboscopic artefacts xhin, pole groups exium and an abstract cut from monster x.
support from: truss/mpia3, and, bas mooy, perc, dj skirt, sawf, inigo kennedy, raiz, lakker, roman lindau, donor, sunil sharpe.

earthlings choice of name is as self-confident as their performance. the japanese trio defines itself as a worldly representative, capable of creative exploration without limits. the group calls their first album dance to express the fullest flowers of rhytmic movement, attending to both physical and spiritual needs.

ambivalent & michael l penman debut on ovum with *shimmer*. having found a very fruitful collaborative friendship, michael l penman and ambivalent (aka kevin mchugh) have begun exploring the intersection of their approaches to music-making. they originally connected when kevin discovered michaels music in 2010. after playing many of his productions in his dj sets and including them in a mix-cd (_ground) release for minus, kevin made contact and the pair began exchanging files and swapping ideas. this led to time in the studio together and yet more file exchanges. quickly a natural creative balance emerged as they found that their production techniques were complementary as is their shared love of groove, bass and musicality. for their ovum debut the duo have delivered a trio of tracks that have those three elements at their core. title track shimmer brings together raw jackin funk with a warm driving bassline and scything techy stabs whilst chevalier matches its fun bouncy groove with an infectious and spritely melody. final track memogram comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of acid-kicks. not for the feint of heart!

after his cosmic gate e.p. (knotweed 004), gonzalo comes back with four new tracks. here he develops further his very unique style of techno, blending deep, dubby and spacey chords together with a fierce sub-bass heavy dark background pounding beat for maximum efficiency.

museum of consciousness is the fifth studio album by shpongle. 180 gr. heavy weight vinyl !!

produced by jay ahern, jonah sharp & chris mcnaughton - minimalist, sub heavy techno

inmotion music welcomes its 39 release by the hands of marco effe. marco again shows us his unique skills, setting up a heavy bass track and trademarking it with his own unmistakable house/tech-house style. after releases on labels like break new soil, cecille, sci+tec or cocoon recordings

ashley beedle s modern artifact s label continues with another 2 rare cuts given a new lease of life.

dj rocca kicks off his new release with a bouncy, deep and machine driven track laced with occasional synth stabs and highlighted with simple but effective percussion. next up is a wonderful track weaving in out of a harmonic house theme and a synth heavy banger. this tune will definitely drop some jaws and raise some eyebrows on the dance floor with dancers mesmerized by the lightness with which rocca switches up the game in one tune. to finish up the ep the b-side serves up a house heavy theme with a slightly distorted vocal and a more psychedelic slow jam perfect for the next late-late session.

new yorks heavyrocker präsentieren den nachfolger ihres sensationellen debuts. schwere riffs in kombination mit kraftvollen vocals – performed von vier musikern der extraklasse. pissed and driven bietet erneut exzellentes songwriting und das gefühl der band für den treffsicheren sound. das neue album verspricht einen modernen, fetten sound, der dabei nie seine wurzeln im traditionellen hard rock und heavy verleugnet.die 10 neuen songs verbinden die sympathie der band für thin lizzy und judas priest mit dem wuchtigen druck von black label society und kreieren so den einzigartigen sound von black water rising

having spent the beginning of the year working with his own intergalactic techno band, greasing the project and finally publishing ep vect?r (chaval records), victor santana returns with the first of a brand new solo collection, the seven series. to celebrate the release yet further, victor has drafted in two of technos ultimate heavy-weights: terrence dixon and orlando voorn.

accent is a brand new house & techno project from well established british producers craggz & parallel with a large and illustrious back catalogue of d&b to their names. on the first release the duo deliver three cuts of rubbery, rhythm heavy house music.
notable dj support from: photek, stacey pullen, marcus worgull (innervisions), mumdance, slam, quentin harris (strictly rhythm), tom findlay (groove armada), j.phlip (dirtybird), chrissy murderbot, laurent garnier + many more.

a little over year after its foundation, reaktivate achieves one of its 1st major goals: to put out a release in a tangible, physical format. even though the label tries to put the same care into each of its releases, independently of the final form it takes, as we believe in making the music acessible to as many people as possible, we realize that entering the vinyl market is a decisive step in the showing of commitment and belief in what we do and the artists we support, to the scene at large. for this landmark release, rkt upholds its tendency to be a platform that combines both newcomers and established artists in techno. up and coming colombian talent daniel restrepo (astronomical telegram) represents a strong bet that we feel is justified, and here he is met by three (well, actually four) artists with proven track records in modern techno with an eye beyond the functional.

part 2 concludes killawatts largest body of music to date, the opposing rhetoric ep, a 6 track opus of truly progressive uk underground sound that melds his influences from dubstep and techno with expansive, high-tension sound design. the eps second triplet of beats feature his most overtly techno-focussed sounds yet, expanding his horizons and dropping the pace down to 125bpm, and delivers punishing dancefloor rigidity and bass-immersed sonic force. on black air, killawatt threads tightly coiled syncopations above a grinding 4×4 structure, and delivers a near-cacophonic but ultimately heavy full-sensory overload. the flipside is divided between the churning swell of dark industrial aesthetics on art of discourse, and the moody permutations of reactive technique, where rippling melodic shimmers provide accentuation to its pounding sub-density.

guy andrews has been a prominent name on the underground circuit as of late, racking up a reputable back catalogue with releases and remixes for the likes of hotflush, hemlock and the vinyl factory. andrews has seen heavy support on the aforementioned singles from the likes of lorca, the black dog and a1 bassline, testament to his classy, understated take on house and techno. here guy joins the fina records roster, following a release from dfrnt, a striking indication of the attentive a&r approach of the label so far this year.

already played by dave clarke on his white noise radio show and hammered by hawtin at space opening. acid!!!(no words necessary...) super heavy pounding energetic 303 techno in clemens very own trademark dirty bass-heavy sound. this is the real pure acid shit - combining the raw power of mid 1990 s techno with the sound of now. as always on neufeld records: the vinyl 12inch contains a mix that you will only find here and will never be released digitally.

coming correct from deep within the london scene, jonno & tommo consummate their production partnership with a return to ornate to delve further into the hypnotic, soulful end of the house spectrum. close the door stretches across the a-side of their new release, the tough demeanour of the drum-heavy intro giving way to a serene pad arrangement, setting the tone for a starlit workout bolstered by an infectious hook of dusty vocal and subtle sonic decoration that accentuates the groove. small stone represents a more reflective mood on the flip, steadily feeding in reams of rhythm and melody before fully blossoming into an equally seductive, bumping jam laced with a perfectly pitched acid line that nestles into the cosy confines of the track.secret weapon of the capitals underground house fraternity, miles sagnia steps up with a simmering remix of small stone that keeps the tension high and the textures roaming through a decidedly futuristic soundscape, while still retaining the ethereal tone of the original.

ron costas brand new ep for trapez features the tracks >bazis puzzle< and >fraaz<, which show his liking for the borderline of house and techno. >bazis puzzle< is a bassline heavy groover that swoons with its kinetic catchiness and polyrhythmic drumming. it is really the amazing sound design, funky and ear catching leads, coupled with sophisticated arrangement that make it a soulful experience for dj and clubbers. >fraaz< is a mesmerizing polyrhythmic dj track, a rhythm rocker, with a fantastic stop and go feeling, a track that constantly builds up tension and releases it in its sensual breaks.

you would think it would get harder for wilson head honcho, fabio monesi to keep achieving the same level of refinement with each release he puts on, but truth be told is that he simply just glides right over it with the third part of the spectacular underground warriors. bringing on the heavy weight all-stars fabio monesi, transitive elements aka enrico mantini, james johnston, upswing project aka alex agore the 90s revival movement ...

another extra-terrestrial movement from space cadets. australian artist nether returns with three tracks of understated and on point dub-influenced electronica. the much sought after glacial dub finally finds its way onto wax, with the 8 minute long roller proving one of the labels most soundsystem orientated tracks so far and a firm favourite with fans.
a side neptune builds with a tuned delicacy, layers of reverb hosting a restrained beat alongside melancholic synth work. sea of glass typifies nethers atmosphere driven sound, furthering his explorations into deep sonic space initiated on his previous release for space cadets.
original sleeve artwork is once again contributed by us illustrator theo ellsworth. all vinyl pressed to extra heavy 180g.

back with another monster of a release, ellum audio bring you four heavy duty remixes of the infectious jam new york is alright from tv baby - a killer track with a throb of low-resolution low-end and caustic vocals - in the words of label boss maceo plex. for the a side blackspun deliver a sensational ‘minimal mix’ and acid dub, while over on the flip maetrik injects plenty of groove and idjut boys take things into another dimension! all tracks are serious dj weaponry, each served to dominate the dancefloor in their own way at peak time

limited to only 250 copies, hand stamped white label. the 6th release and first e.p on need for mirrors own affiliated imprint zoltar.
deity features the vocal talents of nik toots, with a rich british rock voice this track has set its self apart from anything else currently available in drum and bass and has a heavy valve influence.
broken britain is a cinematic stepper, drenched in strings and drones and guitars. one for those who love the late 90s sound of dj krust.

nick woolfson makes a return under his akra guise to his fledgling teng imprint this june, with tunnelvision, backed with remixes from two heavy hitters in the world of deep electronic music, namely matthias vogt and iron curtis.

3 tracks inside and outside the tradition of classical scores and synphonies usually divided into 4 times, where elements of the composition are back with a deep or shallow drama. the sounds of heavy techno and rough hardcore are slowed down in a minimalistic and environmental casing. atmosphere and climate are counterpointed by a vision and historical journey that fuses and confuses the machines with the meat: replaces and softs the sincopatic moments of time that is missing. bruit as a psychic disorder and a lack of physical stability, phonies as futile attempt at harmony and empathy.

cutters records are pleased to announce the debut vinyl (and vinyl only!) release from their latest signing, the la based artist kauf. since 2011 he has been honing his own dark twist on modern electronic music, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony indie pop earning comparisons with the likes of caribou, matthew dear and toro y moi. an internet-only single caught the ears of cut copys frontman dan whitford, who promptly signed him for a forthcoming ep, entitled as much again on cutters records. the first taste of this ep comes in the form of the relocate 12 inch, including remixes by psychemagik, nile delta and moons. kaufs relocate is an dark anthem for the late-night-slow-dance, featuring sparse metallic percussion, chugging synth bass and vocals drowning in a sea of reverb. psychemagik take this vibe and run with it for their 7 minute house tinged rework. cutters own nile delta ups the energy with his signature acid-injection and moons (no recordings) rounds out the release.